10 edition of Making documentary films and reality videos found in the catalog.
Published
1997
by Henry Holt and Company in New York
.
Written in English
Edition Notes
| Statement | Barry Hampe. |
| Classifications | |
|---|---|
| LC Classifications | PN1995.9.D6 H26 1997 |
| The Physical Object | |
| Pagination | xxiv, 342 p. ; |
| Number of Pages | 342 |
| ID Numbers | |
| Open Library | OL980222M |
| ISBN 10 | 0805044515 |
| LC Control Number | 96017746 |
‘how to write a documentary script’ page 2 of 52 table of contents - introduction page - writing for film and why documentaries are dif ferent page - short introduction to documentary styles page - research, research, research: you can’t say it enough!page - essential script elements page - putting a script toge ther page Interesting, worthy documentaries might work for a TV insert or news piece but are unlikely to make a great film. 3) Using poor technique to recreate events When watching TV documentaries, one of my biggest Room s is when directors try to portray a past event by going all low-resolution and throwing the camera around or wheeling in bad.
Additional Physical Format: Online version: Wolverton, Mike. How to make documentaries for video/radio/film. Houston: Gulf Pub. Co., Book Division, © Some films and shows take the form of (fake) raw footage. Cannibal Holocaust, horror film about an anthropologist from New York University who leads a rescue team into the Amazon rainforest to locate a crew of filmmakers.; The Blair Witch Project, horror film about three student filmmakers who disappear while hiking to film a documentary about a local legend, the Blair Witch.
documentary. There is a misconception among beginners that in documentary filmmaking you should not plan or pre-visualize anything. You just walk into the world with your camera and you start shooting. Nothing could be farther form the reality of documentary filmmaking. We need to set ground rules before we begin shooting. The difference between documentaries and fiction films is that in the former, the viewer’s participation is explicit (through narration) while in fiction films it is not explicit. The filmmaker’s attempt is to make the viewer believe that what is shown in the film is a possibility (in case of fiction film) or a reality (in case of documentary).
Nausea
Sandusky einst und jetzt
European labour politics from 1900 to the Depression
Friendly and Feejee islands
CHECKFREE CORP
Nuclear Industry (Finance) Act 1977
Basic economics
Penguin Max.
Ship canal between Port Townsend Bay and Oak Harbor, Wash. Letter from the Secretary of War, transmitting, with a letter from the Chief of Engineers, reports on examination and survey of ship canal between Port Townsend Bay, Puget Sound, and Oak Harbor, Wash.
life of the Church
In the shadow of history.
Marxism and human liberation
Elton report
Revenue unit columns from the American philatelist
Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events―and shows students how to do both effectively/5(41).
Barry Hampe, author of Making Documentary Films and Reality Videos, is a writer-director and film/video teacher who has made more than documentaries and information videos. He has also owned production companies in Philadelphia, Honolulu, and Las by: Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events—and shows students how to do both effectively/5.
Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording Making documentary films and reality videos book and re-creating past events--and shows students how to do both effectively/5(22).
The new, second edition of Making Documentary Films and Videos fully updates the popular guidebook that has given readers around the world the knowledge and confidence to produce their first documentary film.
To find out more about the book or author, read a chapter or two, download information, post a question or comment, check out the filmography and bibliography, or look into.English, Book edition: Making documentary films and videos: a practical guide to planning, filming, and editing documentaries / Barry Hampe.
Hampe. Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary.
Barry Hampe, who has made. "Making Documentary Films and Reality Videos "is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events--and shows students how to do both effectively.
Directing the Documentary. by Michael Rabiger. There’s a reason why this book keeps getting updated and keeps selling well: now in its sixth edition, it is an absolutely definitive look at documentary filmmaking by a master teacher (who even had a documentary film school named after him).
Directing the Documentary offers time-tested principles to help you master the craft. Watch films from filmmakers like Errol Morris, Barbara Kopple, Steve James, Werner Herzog, and Nick Broomfield. Assess their filmmaking process and techniques.
Read about how they approached the question of how to make a documentary on their various films. Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary.
Barry Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events--and shows students how to do both effectively.5/5(5).
Organized as a series of questions about documentary film and video, In-troduction to Documentary offers an overview of this fascinating form of film-making. The questions involve issues of ethics, definition, content, form, types, and e documentaries address the world in which we.
A documentary that captures the making of a fine art photographic book featuring 16 of the world's most successful adult film stars. Director: Deborah Anderson | Stars: Belladonna, Kayden Kross, Lisa Ann, Celine Tran. Votes: A documentary is defined as an official, factual record of some event, generally in movie or film format.
Documentaries are often serious, educational attempts to describe reality, but the approach of filming and creating a documentary can include humor, satire, and irony. Documentaries can focus on current events, people, places, things, or they can look [ ].
12) Plan your next documentary: This may seem totally odd, but as hard as it may seem, start thinking about how you’re going to make a documentary for next project even before your current documentary is completed. You can use the momentum of your finished project to generate interest and funding in your next film.
Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events--and shows students how to do both effectively.
Get this from a library. Making documentary films and reality videos: a practical guide to planning, filming, and editing documentaries of real events. [Barry Hampe] -- Discusses each step in creating documentaries from conception to final film, and offers advice on capturing human behavior and recreating past events.
In short, a documentary is a non-fiction video or film that informs viewers about a real-life topic, person, event, or issue. They are typically educational in nature, extremely detailed, and often have a persuasive tone about them.
In the end, a documentary is usually filmed with a seriousness that, hopefully, inspires everyone that sees it. Werner Herzog’s exceptional documentary delves deep into the world of Timothy Treadwell, a conservationist who lived with wild grizzly bears for 13 summers.
The video footage he recorded is intimate; sadly his daring met with a tragic end, but Herzog’s film displays his inner turmoil and love for nature. The film screened at the Sundance Film Festival and will be distributed by IFC Films. When he initially began working on the film, it was a documentary about the fictional Fauntroys, a powerful Southern family that traced its political ties back to Confederate President Jefferson Davis.
But, Willmott says, "I couldn't make it believable.". Reality was black and white (as documentaries and realist dramas remained for a time, long after more fanciful genres like westerns, musicals and comedies had gone over to color). Reality.
A documentary film is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record" - compare documentary theatre. Bill Nichols has characterised the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events by Barry Hampe - Paperback Book () for $ from Movies & TV - Order by Phone /5(31).
A new book by Don Graham, an English professor at the University of Texas in Austin, delves into the making of the award-winning film based on .
